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Anglo Concertina in the Harmonic Style, by Gary Coover
Ebook Free Anglo Concertina in the Harmonic Style, by Gary Coover
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Have you always wanted to play the 30-button Anglo concertina with more than just a simple one-note melody? This tutor will teach you how to play with chords and full harmonies in a wide variety of musical styles. The book includes 60 tunes with full chords and increasingly complex arrangements. Of all the other Anglo tutors out there, the tablature system presented here is by far and away the easiest to understand and play. In addition to tunes and exercises for beginning players, this tutor also presents more difficult tunes that have been carefully transcribed from recordings of the top Anglo concertina players of the last several decades. The playing of William Kimber, John Kirkpatrick, Jody Kruskal, Bertram Levy, Kenneth N.J. Loveless, Brian Peters, Andy Turner, John Watcham and many others are showcased to help you learn and develop your own unique style on this surprisingly versatile acoustic little squeezebox. Instead of including a CD with the book, most of the tunes can be found on the "anglotutor" playlist on YouTube where you can both see and hear them being played on a 30-button C/G Anglo concertina.
- Sales Rank: #334157 in Books
- Published on: 2013-03-07
- Original language: English
- Dimensions: 11.00" h x .25" w x 8.50" l,
- Binding: Paperback
- 108 pages
About the Author
Gary Coover has been playing concertina ever since finding a cheap dusty model in a music store many years ago. He now plays several different types of concertina, including Anglo, English and Jeffries Duet. He was the host and producer of the "Shepherd's Hey" radio program for over 15 years, and was a founding member of The Four Bricks out of Hadrian's Wall folkrock band and the Men of Houston Morris Team. Gary has spent the last several years teaching and transcribing tunes for Anglo concertina, and is one of the organizers of the Old Palestine Concertina Weekend in East Texas.
Most helpful customer reviews
2 of 2 people found the following review helpful.
i'm learning !
By Stanley Ogozelec
After playing the accordion, piano, and keyboard for over 50+ years, I developed arthritis. My fingers made playing keys extremely difficult.. Since my fingers were a little crooked, playing an instrument with buttons seemed the way to go to continue playing music. I purchased a 30-button concertina and needed to learn from a book. I live in a rural area, so that was the only way to learn. This book's instruction starts out very basic and then build your skill level gradually. It's a great beginner's book 1
1 of 1 people found the following review helpful.
Learn an approach - not just tunes!
By Richard A. Bennett
If you're a melody player who throws in an occasional chord, on a 30 button anglo, Gary Coover's "Harmonic Style" will open your eyes and provide interest. Like all Gary's books, it teaches an approach not just a few tunes!
0 of 0 people found the following review helpful.
Excellent book, good harmonies, fun songs.
By College Counselor
I like this book a lot. I had been playing concertina about a month when my husband bought this for me. I figured out fairly quickly how to play a basic melody, which was fine, but it wasn’t enough. I craved harmony and accompaniment, which I knew the concertina was capable of. At first it was difficult to play the melody and then try to put the left hand in; I didn’t think I would get it. But it came together on “You Are All I Have”, a beautiful waltz in the book. This is so much more satisfying than just a single melody line.
There are plenty of traditional British and Irish tunes, but I’m really glad that the author also included “St. James Infirmary”, “The Song From Moulin Rouge”, “Over the Rainbow” (especially beautiful) and other tunes not usually played on the concertina.
And if you can’t figure out exactly how a tune goes, you can go to Youtube where Coover plays all of them. That helps a lot.
The tablature system is fairly easy and you can catch on to it. Right hand buttons are shown above the notes, left hand buttons below and the pull is indicated by a line over the top. It’s a pretty good system. The one downside, I would say, is that, then, transferring to regular music, I’m somewhat lost without the button numbers. Many of the tunes indicate both the chord name (G, C,F, Dm) and the buttons you need to push, but one tends to look at the numbers and ignore the names. I’m sure this is remedied with continued practice (or covering up the numbers?).
A very fun, helpful book, worth every penny!
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